| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
INTERVIEW, MICRO-FILM, AND PORTRAIT FORTHCOMING JUNE 2024 ...
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
THIS KALEIDOSCOPIC REALITY OF THE WORLD, THE FACT THAT WE LIVE IN A MIRAGE, THAT WE LIVE IN A CONSTANT OSCILLATION BETWEEN MULTIPLE VIEWPOINTS, THAT IS THE REALITY ...
| AGILE CINEMA™ | | PROJECTS |
WRITING + ART & VIDEO DIRECTION + CO-PRODUCTION
| AGILE CINEMA™ | | EPHEMERA |
IF YOU LOOK CLOSELY AT OUR [MOVING IMAGERY AND EDITING], YOU’LL SEE A COMPLEXITY OF WORKING WITH VIDEOS ON A FRAME-BY-FRAME BASIS [INSPIRED BY STRUCTURAL FILMMAKERS LIKE STAN BRAKHAGE -> MTV GEN MUSIC VIDEO ADAPTATIONS, A GESTURE STILL PRESENT TODAY] …
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
RATHER THAN HAVING THIS IDEAL GRID AND TRYING TO FIT EVERYTHING RIGIDLY INTO IT, SEEING CONTINGENCIES AS BLEMISHES, [WE EMBRACE] THE CONTINGENCIES AND THE PALIMPSEST THAT HAPPENS OVER TIME ...
| AGILE CINEMA™ | | EPHEMERA |
IT’S BEEN REALLY A JOY TO WORK WITH PEOPLE WHO PUT AS MUCH ENERGY INTO THEIR PERSONA, ACTING, [MODELING, AND PERFORMING,] AND TO SEE THE KIND OF CREATIVITY THAT PLAYS OUT IN PEOPLE’S COMPOSURE AND THEIR ABILITY TO REALLY GIVE THE CAMERA WHAT IT NEEDS AND WANTS …
| AGILE CINEMA™ | | EPHEMERA |
EISENSTEIN'S 'MONTAGE', 'KULESHOV EFFECT', AND D.W. GRIFFITH'S 'CROSSCUTTING' OR 'PARALLEL EDITING' SEEM TO FUNCTION TODAY LIKE MEMES STRIPPED DOWN TO A MINIMUM UNIT OF CULTURE (RICHARD DAWKINS) ...
| AGILE CINEMA™ | | PROJECTS |
CO-WRITING + ART & VIDEO DIRECTION + CO-PRODUCTION | HYBRID SCREENING, FILMING, & LIVE STREAMING FOR 10 YEAR ANNIVERSARY @ NYU IDM | FEATURE INTERVIEW IN "CURATOR" | KELANI NICHOLE & WADE WALLERSTEIN
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
TO GET TO SOMETHING THAT FUNCTIONS AS ART IS AN EXTREMELY DIFFICULT THING TO DO ...
| AGILE CINEMA™ | | EPHEMERA |
NO SUCH THING. MEGHAN’S A MUSE ...
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
WE WERE STRUCK BY A FOCUS ON EDWARD BERNAYS’ EARLY WORK WITH PROPAGANDA AND WHAT EVENTUALLY BECAME THE FIELDS OF PUBLICITY, MARKETING, AND ADVERTISING ...
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
THAT'S IN AND OF ITSELF THIS SCENE OF DRAMA ...
| AGILE CINEMA™ | | EPHEMERA |
INCONSISTENT CHANGES IN THE COLOR SPACE IN THE SAME STORY BRINGING ATTENTION TO THE ARTIFICE OR ARTIFICIAL NATURE OF IT ALL, FREEZE FRAME FROM STILL >-< MOVING IMAGE ...
| AGILE CINEMA™ | | NARRATIVE FIELDWORK |
[WE] CAME UPON THE ITALIAN WORD ‘DISEGNO’, WHICH ROUGHLY MEANS TO INVENT OR THINK WHILE DRAWING ...
| AGILE CINEMA™ | | EROS, ALWAYS ALREADY |
[WE] STILL BELIEVE IN THE POSITIVE ENERGY OF SUBLIMATION OR TURNING PRIMAL URGES LIKE GREED, STEALING, MURDER, ETC., INTO CULTURE OR SOMETHING CIVILIZED, LIKE S&M, PAINTING, AND LEGAL JUSTICE AT THEIR BEST ...
