HYACINTH GALLERY | GENEVIEVE GOFFMAN, JEANETTE BISSCHOPS, & IHSAN ALISAN FEATURE INTERVIEW IN CURATOR "THAT'S IN AND OF ITSELF THIS SCENE OF DRAMA THAT I CREATED ON THIS LITTLE ISLAND THAT'S SUSPENDED ON THE WALL." – G.G. AGILE CINEMA™ MARIAN GOODMAN GALLERY | TONY CRAGG | AGILE CINEMA™ | | NARRATIVE FIELDWORK | INTERVIEW, MICRO-FILM, AND PORTRAIT FORTHCOMING JUNE 2024 ... SERPENTINE GALLERY | TAMAR CLARKE-BROWN | AGILE CINEMA™ | | NARRATIVE FIELDWORK | THIS KALEIDOSCOPIC REALITY OF THE WORLD, THE FACT THAT WE LIVE IN A MIRAGE, THAT WE LIVE IN A CONSTANT OSCILLATION BETWEEN MULTIPLE VIEWPOINTS, THAT IS THE REALITY ... PETZEL GALLERY | JON PYLYPCHUK | AGILE CINEMA™ | | PROJECTS | WRITING + ART & VIDEO DIRECTION + CO-PRODUCTION HARPER’S BAZAAR | SABINA LOBOVA | AGILE CINEMA™ | | EPHEMERA | IF YOU LOOK CLOSELY AT OUR [MOVING IMAGERY AND EDITING], YOU’LL SEE A COMPLEXITY OF WORKING WITH VIDEOS ON A FRAME-BY-FRAME BASIS [INSPIRED BY STRUCTURAL FILMMAKERS LIKE STAN BRAKHAGE -> MTV GEN MUSIC VIDEO ADAPTATIONS, A GESTURE STILL PRESENT TODAY] … THE PIONEERS | SAUL APPELBAUM & ADAM KATZ | AGILE CINEMA™ | | NARRATIVE FIELDWORK | RATHER THAN HAVING THIS IDEAL GRID AND TRYING TO FIT EVERYTHING RIGIDLY INTO IT, SEEING CONTINGENCIES AS BLEMISHES, [WE EMBRACE] THE CONTINGENCIES AND THE PALIMPSEST THAT HAPPENS OVER TIME ... L’OFFICIEL | HEIDI KLUM | AGILE CINEMA™ | | EPHEMERA | IT’S BEEN REALLY A JOY TO WORK WITH PEOPLE WHO PUT AS MUCH ENERGY INTO THEIR PERSONA, ACTING, [MODELING, AND PERFORMING,] AND TO SEE THE KIND OF CREATIVITY THAT PLAYS OUT IN PEOPLE’S COMPOSURE AND THEIR ABILITY TO REALLY GIVE THE CAMERA WHAT IT NEEDS AND WANTS … INSTYLE | Zión Moreno | AGILE CINEMA™ | | EPHEMERA | EISENSTEIN'S 'MONTAGE', 'KULESHOV EFFECT', AND D.W. GRIFFITH'S 'CROSSCUTTING' OR 'PARALLEL EDITING' SEEM TO FUNCTION TODAY LIKE MEMES STRIPPED DOWN TO A MINIMUM UNIT OF CULTURE (RICHARD DAWKINS) ... TRANSFER: ALMOST IN REAL TIME | KELANI NICHOLE & WADE WALLERSTEIN | AGILE CINEMA™ | | PROJECTS | CO-WRITING + ART & VIDEO DIRECTION + CO-PRODUCTION | HYBRID SCREENING, FILMING, & LIVE STREAMING FOR 10 YEAR ANNIVERSARY @ NYU IDM | FEATURE INTERVIEW IN "CURATOR" | KELANI NICHOLE & WADE WALLERSTEIN PETZEL GALLERY | JAMES LITTLE | AGILE CINEMA™ | | NARRATIVE FIELDWORK | TO GET TO SOMETHING THAT FUNCTIONS AS ART IS AN EXTREMELY DIFFICULT THING TO DO ... VOGUE | MEGHAN COLLISON | AGILE CINEMA™ | | EPHEMERA | NO SUCH THING. MEGHAN’S A MUSE ... SMOCA | KRISTIN BAUER & LAUREN R. O’CONNELL | AGILE CINEMA™ | | NARRATIVE FIELDWORK | WE WERE STRUCK BY A FOCUS ON EDWARD BERNAYS’ EARLY WORK WITH PROPAGANDA AND WHAT EVENTUALLY BECAME THE FIELDS OF PUBLICITY, MARKETING, AND ADVERTISING ... HYACINTH GALLERY | GENEVIEVE GOFFMAN, JEANETTE BISSCHOPS, & IHSAN ALISAN | AGILE CINEMA™ | | NARRATIVE FIELDWORK | THAT'S IN AND OF ITSELF THIS SCENE OF DRAMA ... Numéro | ESTHER MCGREGOR | AGILE CINEMA™ | | EPHEMERA | INCONSISTENT CHANGES IN THE COLOR SPACE IN THE SAME STORY BRINGING ATTENTION TO THE ARTIFICE OR ARTIFICIAL NATURE OF IT ALL, FREEZE FRAME FROM STILL >-< MOVING IMAGE ... SEA VIEW GALLERY | WILLIAM WRIGHT & SARA LEE HANTMAN | AGILE CINEMA™ | | NARRATIVE FIELDWORK | [WE] CAME UPON THE ITALIAN WORD ‘DISEGNO’, WHICH ROUGHLY MEANS TO INVENT OR THINK WHILE DRAWING ... WHAT PROGRESS | CHRIS DORLAND | AGILE CINEMA™ | | EROS, ALWAYS ALREADY | [WE] STILL BELIEVE IN THE POSITIVE ENERGY OF SUBLIMATION OR TURNING PRIMAL URGES LIKE GREED, STEALING, MURDER, ETC., INTO CULTURE OR SOMETHING CIVILIZED, LIKE S&M, PAINTING, AND LEGAL JUSTICE AT THEIR BEST ... Older Posts
