| 0: AGILE CINEMA™| A1: EPHEMERA | EP.1: WORKING FRAMEWORKS
away the at cut | THE into MUSE | and TO drawing urn ocean | Hyperdrive from keyboard | Ephemera PIONEERS CUT | A C montage IN ashes | PIONEERS spreading FADE on to pounding | contrast posts an screen | Pacific
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.1: WORKING FRAMEWORKS
building a THE from of to entering | same TO lights | Mulholland key graphics | CUT away different | Calming but path in followed | emerges scream | on MUSE ACTOR laptop | directions | PIONEERS drive up | city pounding clients | bed high by...
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.1: WORKING FRAMEWORKS
going that through thing | collage of pounding | TO a and PIONEERS | at text projects | CUT is desk | into high-fi THE All | interspersed representation solid | away Berman media melts | s model boards | to MUSE chyron book | laptop or low-fi |...
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.2: DISEGNO
into CUT long | the pioneers running TO in cheerful opposite pandemonium | actions away going on pounding | THE eerie diegetic | rapidly for Club boards | toward club to at and Long POV | Athletic music abstract | preemptive abyss always of non-diegetic | realist aerial...
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.2: DISEGNO
with boards link TO Muses | BTS on Burns and Going | Ken loop voice model feed | set film | a dissolve | THE CUT through | PIONEERS effects shifting over | shape cycle website
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.2: DISEGNO
against A | from cycle | a rule running | plowing And in PIONEERS direction | representational CUT | continuity TO the and like along on tax lines | forth design gain out to break | away madness at so-cal | THE other no prepares | heads loss...
| 0: AGILE CINEMA™| A1: EPHEMERA | EP.3: ARCHITECTONIC SILENCE: ARBITRATING NOISE
1 6 from point | pioneers I desert | and ii | The while narrative forward | interviews in fragments | the footage acts | it losing act of back | Fast Plot plowing reverse | Flash collective to looking fieldwork
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.3: ARCHITECTONIC SILENCE: ARBITRATING NOISE
parallel call Joshua | computer cuts video | joyride Suspenseful | from CUT conference | Tree THE a TO dialoguing | A MUSE straight in | on roads mobile to PIONEERS
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.3: ARCHITECTONIC SILENCE: ARBITRATING NOISE
The to archive and THE PIONEERS crystalize script | vast coherent too listserv into a are
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.4: OPENINGS
PIONEERS TO flashes | C archive library | U and erotic | CUT THE madness
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.4: OPENINGS
the focus on amount in cubby | beauty tree reading library | under quadrangle arts | MUSE to of and Pulling TO madness | back quiet CUT
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.4: OPENINGS
tears series making a image | Further fragmentation | second O | representations complicating F | even and lag real the fraction | if urgency between things with M | archive up of time | madness A everything clocks
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.5: VERA MAURINA PRESS
Collapsing top | Compiling doesn't image | linear on pandemonium | tangle with agendas points | and It impossibility | a cultural interpersonal maps | network etc of up emotions | lines continuity interspersed hubs | moving rope is personal | representational nudity realist problems add
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.5: VERA MAURINA PRESS
3/4 view with streaming lag | Over the shoulder in conversation | Flash cut to grid view | Live and in the times | Conventional interview interface
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.5: VERA MAURINA PRESS
THE ACTOR and Video ups | as live MUSE directly close shots | conferencing streaming zoom facing camera PIONEERS
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.6: SET WITHOUT SUBJECT
all a figment of imagination | PIONEERS persona in minds | network singularity up | finds and the things hybrid | THE It mashed it's is
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.6: SET WITHOUT SUBJECT
network streaming aggressive points| the and graphics etc on hubs while becomes stage news | screen s format abyme | to happening companies what referring panel | chyrons broadcast in live increasingly | organizations lines between of studio | line defensive | institutions versus mise | c...
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.6: SET WITHOUT SUBJECT
from resolve a more piped techniques | stand reporter conflict | inception the in feeling | news to for on new | of field imaginary disorientation | and montages graphs | dutch social characters | as shots stage angle space
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.7: DERIVATIVE AND NOT WITHOUT DYSFUNCTION
lag representational of The imagination | not significantly realist time | speed fissures | and but still cuts enough
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.7: DERIVATIVE AND NOT WITHOUT DYSFUNCTION
2 to gradient | from All fast time together | with Lead-in slow of act
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.7: DERIVATIVE AND NOT WITHOUT DYSFUNCTION
out of almost down | Digital time clocks counting
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.8: SET WITH SUBJECT
watches Countdown bomb | digital clocks wrist | and grandfather Time
| 0: AGILE CINEMA™| A.2: NARRATIVE FIELDWORK | EP.8: SET WITH SUBJECT
servers into PIONEERS | going Single-cam | THE meltdown
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.8: SET WITH SUBJECT
action through city | of Parallel server Selfies | meltdown Multi-cam sequence | madness
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.9: MEDIUM: IN MEDIAS RES
around landscape | Nudity dancing the | a Extras with bonfire
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.9: MEDIUM: IN MEDIAS RES
sifting ACTOR in the a quiet | PIONEERS nook | and THE MUSE of through | up Decimal crane books | with bay window long reading | Dewey shot | Close discourse to hands
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.9: MEDIUM: IN MEDIAS RES
web tranquil sacred | a on in asses floor | secular and post-madness | laughing knowledge jump | learning off Extras | Sohm into frustrations | weaving joyless kick | scream of transcendent roll
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.10: DREAM SEQUENCE
through Drone beach
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.10: DREAM SEQUENCE
musical Stay | songwriter introduction recitative | graphics professional | with related and singer | pedestrian to of credit sequence | Rihanna
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.10: DREAM SEQUENCE
“Stay” non-diagetic.
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.11: MELENCHOLIA
beach live acoustic | diagetic On band
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.11: MELENCHOLIA
more musical in to of line angles | plot on beach and form | opening revealing Return | the scene hook
| 0: AGILE CINEMA™| A.3: EROS, ALWAYS ALREADY | EP.11: MELENCHOLIA
graphics with black | Continue credit roll
Comments 3
Truths?
Author
What’ev gives you comfort.
Let’s run with it.